Writings:
2018 – “Black Box: Decoding the Art Work of Martin Gantman, by Martin Gantman with foreword by Dr. Lise Patt
2016 – “With Everything But the Monkey Head,” Institute of Cultural Inquiry blog, (April, 2016) http://culturalinquiry.org/intern_blog/archives/category/martin-gantman
2014 – “The Ephemera(l) Institution,” Institute of Cultural Inquiry blog, (January, 2014) http://culturalinquiry.org/intern_blog/archives/category/martin-gantman
2005 – “Swingin’ in the Slammer,” Coagula Art Journal, Los Angeles, (August, 2005)
2004 – “The Word Was Charm,” Coagula Art Journal, Los Angeles, (August, 2004)
2003 – “The Irresolute Potential In the Unimagined Possibility,” ARTLIES Magazine, Houston TX, (October, 2003)
2002 – “DuSable Park: An archeology,” Midnight Mind Magazine, New York NY, (October, 2002).
2002 – “See you when we get home.”
2001 – “Notes on the Oddness of Things”, Midnight Mind, www.MidnightMind.com, (October, 2001).
2000 – Co-editor, “Benjamin’s Blind Spot”, DAP Publications, (April, 2001).
1998 – “Mapping the Lost Idea”, for the Institute of Cultural Inquiry.
1997 – “Notes on the Odalisque Suite”.
1989 to 1991 – Editorials for SITE Local, quarterly journal.
1988 – “Art Is Landscape, Landscape Is Art”, The Progress Print, Department of Landscape Architecture, University of California, Los Angeles.
1984 – “Process Piece II”.
1983 – “Open Trench”.
1981 – “Process Piece I”.
Articles and Media:
Getty Research Institute, “LA Activism: The Institute of Cultural Inquiry’s AIDS Chronicles (1994–2019),” (October, 2023) [YouTube video]
Gallerium and the Book of Arts, “Portraits,” (September, 2023)
Photosynthesis Magazine, “Origins,” (June, 2023)
Scott, Henry, “Streets,” WEHOville, (September 9, 2019)
Williamson, Todd, “Telling Stories,” WEHOville, (April 16, 2018)
Tarley, Phil, “The Critical Eye,” Fabrik Magazine, (April 10, 2018)
Black, Ezhra Jean,”S/Election: Democracy, Citizenship, Freedom,” Artillery Magazine, (November 3, 2016)
Scott, Henry, “The Populist,” West Hollywood Magazine, (Winter 2014). http://issuu.com/wh-mag/docs/west-hollywood-magazine-winter-2014
Badische Zeitung, “Geheimnisvolle, rätselhafte und vielsagende Werke,” (June 17, 2014).
Badische Zeitung, “Jüngere Künstler präsentieren sich etwas kritischer,” (June 13, 2014).
Gierach, Ryan, “Conceptual Art in a City Full of Narcissists,” WeHo News, (April 3, 2014).
Bush, William, Preview, Artweek.LA, (February 21, 2011).
Martin, Karen, Interview, Itch Magazine, (July, 2010).
Berry, Melissa, “Los Angeles Center for Digital Art: A Meeting With the Guru of Digital Graphics, (March 2, 2009)
Kugelman, Kerry, “Martin Gantman: “Tracking Identity” at HAUS Gallery, art ltd., (January, 2008).
Artillery Magazine, Volume 2 Number 2, January 2008, pg. 14.
Donohue, Marlena, “April Recommended”, ArtScene, (April, 2007).
Artscenecal, “Martin Gantman at Seyhoun Gallery,” (2007}.
Black, Ezrha Jean, Awolanarch.blogspot.com, (March 17, 2007).
Geirach, Ryan, “Political Artistry in WeHo”, WeHoNews.com, (March 15, 2007).
Hoffberg, Judith, “The Odalisque Suite”, Umbrella, (December, 2005).
Hoffberg, Judith, “See you when we get home.”, Umbrella, (December, 2005).
ARTLIES Magazine, #40, (October, 2003).
Featured project, “See you when we get home.”, Art Journal, (December, 2002).
Burbach, A.M., “What Women (and Men Visitors) Want”, International Sculpture Center Web Special #5, (2001)
Costello-Dougherty, Malaika. “Wish You Were There”, Los Angeles Independent, (November 14, 2001).
Zimmer, William. “Creative Works With a Political Edge”, New York Times, (June 24, 2001).
Birke, Judy. “‘Narration’ teems with stories well told”, New Haven Register, (June 3, 2001).
“Recommended Exhibitions”, ArtScene, Los Angeles, (June, 2001).
Hamilton (Ohio) Journal-News, (May 16, 2001).
Cincinatti CityBeat, (May 10, 2001).
Yeager, Connie. “Indelible Signs of Spring”, Cincinatti Post, (April 19, 2001).
“Arts”, Westword.com, Denver, (May 29, 1998).
Rubin, Gregory. “Deconstructing the Gaze”, The Critical Eye, http://members.aol.com./grubin1/index.html (1997).
Jenkins, Steven. “Previews”, Artweek (July, 1997).
Berger, Shelley A. “Inside Out”, Coagula Art Journal (#19, 1995)
Community Redevelopment Agency of Los Angeles. “South Park: development strategies and design guidelines”, Olympic and Broadway gateway proposal, (1995)p.45
“Art of California Discovery Awards”, Art of California Magazine. (January, 1993) p.86.
Littlefield, Kinney. “Imperfect Order is a Bit Too Orderly”, Orange County Register, (September 11, 1992).
Curtis, Cathy. “Bringing Sense of Disorder to Irvine”, Los Angeles Times/ Orange County Edition. (September 7, 1992).
Pagel, David. “Irvine Center Showcases Eight Inventive Tinkerers”, Los Angeles Times. (August 27, 1992).
Dubin, Zan. “Flaws and Order”, Los Angeles Times/Orange County Edition, (August 21, 1992).
McMahon, Kevin. Sci-Arc Newsletter, Fall 1992, issue #12.
Crafts, Fred. “Sculptures Show Oregon’s Diversity”, Eugene Register-Guard, (January 1992)
Franklin, Betty. “Major Art Exhibit at Center”, Sun Valley View Record Ledger, (September 18, 1991)
Lund-Seeden, Kathleen. “Santa Monica Picks War Memorial”, The Santa Monica Outlook, (November, 1990).