The Ever-Unfolding Marriage of
Loewenmensch and Venus of Hohle Fels
On Civilization 18
Tagged Anthropology, Appropriation, Archeology, Architecture, Archive, Art, Art Catalog, Art history, Art Literature, Art Monograph, Art Writings, Artist Books, Black Box: Decoding the Art Work of Martin Gantman, Civilization, Cradle of civilization, Exhibits, Gender, Grid, History, Homelessness, Identity, Income inequity, Installation Art, Internet, Internete, Language, Martin Gantman, Matriarchies, Media, Mesopotamia, Neolithic, Participation, Patriarchies, Photography, Political art, Politics, Public Space, Transformation, Transition, War